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The Powerful Art of Negative Capability

Sahil Bloom

Welcome to the 242 new members of the curiosity tribe who have joined us since Wednesday. Join the 57,887 others who are receiving high-signal, curiosity-inducing content every single week.

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In 1902, a 19-year-old cadet in an Austrian military academy was silently becoming a bystander in his own life.

Franz Xaver Kappus felt trapped. On the track for a life as a military officer, but unsure if he wanted it in the first place. His heart felt pulled in a very different direction.

To poetry.

When Kappus learned that one of his teachers had taught the famed poet Rainer Maria Rilke when he was a young man attending the same academy, he decided to act. Kappus sent a set of his poems to Rilke, asking for an honest assessment and guidance on his life ahead.

From 1903 to 1908, Rilke wrote a series of ten letters to Kappus, on solitude, love, doubt, and the question of how to live when you don't yet know who you really are.

Kappus never did publish his own poems, but in 1929, three years after Rilke's death, he published the letters in a single anthology, Letters to a Young Poet.

In the fourth letter, Rilke wrote this:

"Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer."

When I first read that beautiful passage, it immediately struck me as an echo.

Nearly a century earlier, another poet had given the same advice—also in a letter—and given it a name.

In late December 1817, the 22-year-old English poet John Keats penned a letter to his brothers, George and Tom.

In the letter, Keats wrote:

"Several things dovetailed in my mind, & at once it struck me, what quality went to form a Man of Achievement especially in Literature & which Shakespeare possessed so enormously — I mean Negative Capability, that is when man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason."

Negative Capability is the unique discipline of embracing, rather than running from, uncertainty, doubt, and mystery.

Both Keats and Rilke understood the immense power of sitting in that state of unknowing.

This idea is of the utmost importance in the modern era.

The future feels more uncertain than ever before. AI is rewriting the rules of work. Previously safe tracks appear ripe for disruption. The conversations on fundamental societal change have subtly shifted from if to when.

But at the same time, our tolerance for that uncertainty has steadily declined. We carry the entire world's knowledge base in our pockets. Any question can be answered in mere seconds. Any doubt can be checked with a quick command. Any uncertainty can be neutralized.

And the byproduct of that unique combination is dire:

A 2018 meta-analysis of 52 studies found that intolerance of uncertainty has been increasing for decades. The researchers propose that a dependency has formed: The more we reach for certainty through our devices, the less capable we become of living without it.

The reassurance-seeking behavior meant to calm us is exactly what's silently reinforcing an inability to bear the discomfort of not knowing in the first place.

In short, uncertainty is rising, tolerance for it is declining, and the downstream effects show up in ways we're only beginning to understand, including, many researchers argue, the rise in anxiety, polarization, and loneliness.

In his wonderful new book, How to Not Know, author Simone Stolzoff breaks down three certainty traps that we all fall into:

  • Comfort: The desire to stay where it's safe.
  • Hubris: The belief that we know best.
  • Control: The obsession with planning to perfection.

The traps will feel familiar. What's harder is the work of building your Negative Capability to escape them.

The book offers a how-to guide for doing just that:

"Embracing discomfort allows us to transform anxiety into openness. Admitting what we don't know transforms hubris into humility. And relinquishing control transforms rigidity into acceptance."

In my own life, I've found that the most useful way to develop this muscle is to keep a few questions close at hand.

Whenever I find myself leaping for certainty, falling into one of the three traps, I ask myself:

  • What are you trying to escape by answering this right now? The rush for certainty is often just a rush away from your fear of uncertainty.
  • What might arrive if you sat with this for one more day? Sometimes the greatest breakthroughs come from just sitting in the discomfort a little bit longer.
  • What would change if you stopped trying to figure this out? You don’t have to figure everything out. Some things aren’t meant to be figured. It’s perfectly reasonable to let things remain a mystery.

With all of these, I try to remind myself of an important truth:

The one who can embrace the most uncertainty is the one who will eventually win.

As author George Saunders once wrote:

"In a world full of people who seem to know everything, passionately, based on little (often slanted) information, where certainty is often mistaken for power, what a relief it is to be in the company of someone confident enough to stay unsure (that is, perpetually curious)."

Love the questions. Grow your Negative Capability.

Be the relief you want to see in the world.

P.S. How to Not Know is a great read. I am enjoying it. I think you will, too.

The Powerful Art of Negative Capability

Sahil Bloom

Welcome to the 242 new members of the curiosity tribe who have joined us since Wednesday. Join the 57,887 others who are receiving high-signal, curiosity-inducing content every single week.

What’s a Rich Text element?

The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content,

just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

  • mldsa
  • ,l;cd
  • mkclds

How to customize formatting for each rich text

Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of"

nested selector

system.

In 1902, a 19-year-old cadet in an Austrian military academy was silently becoming a bystander in his own life.

Franz Xaver Kappus felt trapped. On the track for a life as a military officer, but unsure if he wanted it in the first place. His heart felt pulled in a very different direction.

To poetry.

When Kappus learned that one of his teachers had taught the famed poet Rainer Maria Rilke when he was a young man attending the same academy, he decided to act. Kappus sent a set of his poems to Rilke, asking for an honest assessment and guidance on his life ahead.

From 1903 to 1908, Rilke wrote a series of ten letters to Kappus, on solitude, love, doubt, and the question of how to live when you don't yet know who you really are.

Kappus never did publish his own poems, but in 1929, three years after Rilke's death, he published the letters in a single anthology, Letters to a Young Poet.

In the fourth letter, Rilke wrote this:

"Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer."

When I first read that beautiful passage, it immediately struck me as an echo.

Nearly a century earlier, another poet had given the same advice—also in a letter—and given it a name.

In late December 1817, the 22-year-old English poet John Keats penned a letter to his brothers, George and Tom.

In the letter, Keats wrote:

"Several things dovetailed in my mind, & at once it struck me, what quality went to form a Man of Achievement especially in Literature & which Shakespeare possessed so enormously — I mean Negative Capability, that is when man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason."

Negative Capability is the unique discipline of embracing, rather than running from, uncertainty, doubt, and mystery.

Both Keats and Rilke understood the immense power of sitting in that state of unknowing.

This idea is of the utmost importance in the modern era.

The future feels more uncertain than ever before. AI is rewriting the rules of work. Previously safe tracks appear ripe for disruption. The conversations on fundamental societal change have subtly shifted from if to when.

But at the same time, our tolerance for that uncertainty has steadily declined. We carry the entire world's knowledge base in our pockets. Any question can be answered in mere seconds. Any doubt can be checked with a quick command. Any uncertainty can be neutralized.

And the byproduct of that unique combination is dire:

A 2018 meta-analysis of 52 studies found that intolerance of uncertainty has been increasing for decades. The researchers propose that a dependency has formed: The more we reach for certainty through our devices, the less capable we become of living without it.

The reassurance-seeking behavior meant to calm us is exactly what's silently reinforcing an inability to bear the discomfort of not knowing in the first place.

In short, uncertainty is rising, tolerance for it is declining, and the downstream effects show up in ways we're only beginning to understand, including, many researchers argue, the rise in anxiety, polarization, and loneliness.

In his wonderful new book, How to Not Know, author Simone Stolzoff breaks down three certainty traps that we all fall into:

  • Comfort: The desire to stay where it's safe.
  • Hubris: The belief that we know best.
  • Control: The obsession with planning to perfection.

The traps will feel familiar. What's harder is the work of building your Negative Capability to escape them.

The book offers a how-to guide for doing just that:

"Embracing discomfort allows us to transform anxiety into openness. Admitting what we don't know transforms hubris into humility. And relinquishing control transforms rigidity into acceptance."

In my own life, I've found that the most useful way to develop this muscle is to keep a few questions close at hand.

Whenever I find myself leaping for certainty, falling into one of the three traps, I ask myself:

  • What are you trying to escape by answering this right now? The rush for certainty is often just a rush away from your fear of uncertainty.
  • What might arrive if you sat with this for one more day? Sometimes the greatest breakthroughs come from just sitting in the discomfort a little bit longer.
  • What would change if you stopped trying to figure this out? You don’t have to figure everything out. Some things aren’t meant to be figured. It’s perfectly reasonable to let things remain a mystery.

With all of these, I try to remind myself of an important truth:

The one who can embrace the most uncertainty is the one who will eventually win.

As author George Saunders once wrote:

"In a world full of people who seem to know everything, passionately, based on little (often slanted) information, where certainty is often mistaken for power, what a relief it is to be in the company of someone confident enough to stay unsure (that is, perpetually curious)."

Love the questions. Grow your Negative Capability.

Be the relief you want to see in the world.

P.S. How to Not Know is a great read. I am enjoying it. I think you will, too.